America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. Originally premiered in Britain at the National Theatre, London, where it won the Evening Standard Best Play Award, Tony Kushner's Angels in America went on to win two Tony Awards and the Pulitzer Prize for Drama. This volume contains both Part One: Millennium Approaches and Part Two: Perestroika, plus 45 pages of bonus material including a new introduction by the playwright, a full production history, deleted scenes, and notes on staging. It was published alongside a new production in 2017 at the National Theatre, London, directed by Marianne Elliott and starring Andrew Garfield, Denise Gough, Nathan Lane, James McArdle and Russell Tovey.

Part One of the two-part Angels in America, Tony Kushner's epic drama set during the Reagan years in America - now recognised as one of the greatest plays of the twentieth century. Prior, visited by ghosts of his ancestors and abandoned by his lover after his diagnosis with AIDS, is wondering if he is still sane when the angels select him to be their prophet. Powerbroker Roy Cohn also has the virus - but he believes that only the powerless can have that particular illness, and so kicks back against his diagnosis. In the 'melting pot where nothing melted' of modern America, the nation's reaction to the sickness - and its sufferers - is laid bare. Millennium Approaches was premiered in May 1991 by the Eureka Theatre Company, San Francisco, directed by David Esbjornson. In London it was premiered in January 1992 in a National Theatre production at the Cottesloe Theatre, directed by Declan Donnellan. The play received many awards, including Best Play at the 1992 Evening Standard Awards, Best New Play at the 1992 Critics' Circle Awards, Best Play at the 1993 Tony Awards and the 1993 Pulitzer Prize for Drama.

In the town of Slurry, New York, post-war recession has bitten. Claire Zachanassian, improbably beautiful and impenetrably terrifying, returns to her hometown as the world's richest woman. The locals hope her arrival signals a change in their fortunes, but they soon realise that prosperity will only come at a terrible price... Friedrich Durrenmatt's visionary revenge play, one of the great achievements of modern German-language theatre, has been transported to mid-twentieth-century America by the acclaimed playwright Tony Kushner. This revelatory new adaptation of The Visit opened in the Olivier auditorium of the National Theatre, London, in February 2020, directed by Jeremy Herrin, and starring Lesley Manville and Hugo Weaving.

This is a study of the history of global refugee movements over the 20th century, ranging from east European Jews fleeing Tsarist oppression at the turn of the century to asylum seekers from the former Zaire and Yugoslavia. Recognizing that the problem of refugees is a universal one, the authors emphasize the human element which should be at the forefront of both the study of refugees and responses to them.

This is a study of the history of global refugee movements over the 20th century, ranging from east European Jews fleeing Tsarist oppression at the turn of the century to asylum seekers from the former Zaire and Yugoslavia. Recognizing that the problem of refugees is a universal one, the authors emphasize the human element which should be at the forefront of both the study of refugees and responses to them.

To the British in 1945 the images of Bergen-Belsen concentration camp said everything necessary to illustrate and prove the extent of Nazi barbarity, yet the grim newsreel footage and radio reports did not tell the whole story. Over the following decades these potent representations became encrusted with myths and meanings that distorted the actuality of Belsen. Fifty years after the liberation of the camp, scholars and eyewitnesses can finally explore the extraordinary history of the camp, the experiences of the inmates and the work of the liberators. This volume presents the most authoritative recent scholarship on Belsen by British, American, German, French and Israeli historians. Drawing on documentary and oral sources in Yiddish, Hebrew, German, Dutch and French, often for the first time, it challenges many stereotypes about the camp, and reinstates the groups hitherto marginalised or ignored in accounts of the camp and its liberation.

To the British in 1945 the images of Bergen-Belsen concentration camp said everything necessary to illustrate and prove the extent of Nazi barbarity, yet the grim newsreel footage and radio reports did not tell the whole story. Over the following decades these potent representations became encrusted with myths and meanings that distorted the actuality of Belsen. Fifty years after the liberation of the camp, scholars and eyewitnesses can finally explore the extraordinary history of the camp, the experiences of the inmates and the work of the liberators. This volume presents the most authoritative recent scholarship on Belsen by British, American, German, French and Israeli historians. Drawing on documentary and oral sources in Yiddish, Hebrew, German, Dutch and French, often for the first time, it challenges many stereotypes about the camp, and reinstates the groups hitherto marginalised or ignored in accounts of the camp and its liberation.

'In the contemporary British context, ?heritage? is a highly politicized and contentious term', Tony Kusher writes in his introduction to this edited collection of essays on the subject of Jewish heritage, thus setting the tone for a book as much interested in the preservation as it is the understanding of this culture.

This book provides a more theoretical framework for the pursuit of Jewish historiography and heritage preservation in Britain. The essays collected here look both to the past and to the future, discussing the nature of the Jewish heritage that has already been produced and looking toward possibilities of future development. Kushner has collected a wide range of subjects from social history to architecture to the question of Jewish women.

This book will be of interest to students of social history and ethnic studies, particularly Jewish history in London and Manchester. It will be also of some use to those interested in architecture.

Winner of the Pulitzer Prize for Drama
"Angels in America: A Gay Fantasia on National Themes"
"Part One, Millennium Approaches"
"Part Two, Perestroika"
"A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, "New York Times"
""Angels in America" is the finest drama of our time, speaking to us of an entire era of life and death as no other play within memory. It ranks as nothing less than one of the greatest plays of the twentieth century." - John Heilpern, "New York Observer"
"A victory for theater, for the transforming power of the imagination to turn devastation into beauty." - John Lahr, "New Yorker"
""Angels in America" is the broadest, deepest, most searching American play of our time." - Jack Kroll, "Newsweek"
This new edition of Tony Kushner's masterpiece is published with the author's recent changes and a new introduction in celebration of the twentieth anniversary of its original production. One of the most honored American plays in history, "Angels in America" was awarded two Tony Awards for Best Play and the Pulitzer Prize for Drama. It was made into an Emmy Award-winning HBO film directed by Mike Nichols. This two-part epic, subtitled "A Gay Fantasia on National Themes," has received hundreds of performances worldwide in more than twenty-six languages.

Britain has largely been in denial of its migrant past - it is often suggested that the arrivals after 1945 represent a new phenomenon and not the continuation of a much longer and deeper trend. There is also an assumption that Britain is a tolerant country towards minorities that distinguishes itself from the rest of Europe and beyond. The historian who was the first and most important to challenge this dominant view is Colin Holmes, who, from the early 1970s onwards, provided a framework for a different interpretation based on extensive research. This challenge came not only through his own work but also that of a 'new school' of students who studied under him and the creation of the journal Immigrants and Minorities in 1982. This volume not only celebrates this remarkable achievement, but also explores the state of migrant historiography (including responses to migrants) in the twenty-first century.

1963. In quiet Lake Charles, Louisiana, the destruction of a Confederate statue might just signal that change is in the air... But, whatever the progress of the civil rights movement, in the Gellman household things seem just the same - for now at least. Eight year old Noah, heartbroken by the death of his mother and his father's remarriage, sneaks down to the basement to spend time with the black maid he idolises, Caroline Thibodeaux: Caroline who runs everything. Whilst the basement may seem a fantastical place - even the appliances have a voice of their own - Caroline's work there is repetitive and badly paid. But when Mrs Gellman comes up with a way for her to take a little more money home, the consequences for Caroline and Noah's relationship are not what anybody might have expected... An Olivier Award winning musical with a hugely original, highly eclectic and uniquely American score, Caroline, or Change creates an uplifting and profound portrait of America at a time of momentous social upheaval.

Immigration to Britain has rarely achieved the levels experienced by the US, but it is nevertheless true of all periods that immigrants, refugees and soujourners have been continually present'. While we may have the beginnings of a history of immigration, ethnicity and race in Britain, there is a lack of historiographical awareness in the subject. The essays in this collection, ranging from specific case studies to broad themes, are an attempt to provide a basis for future discussion.

Part Two of the two-part Angels in America, Tony Kushner's epic drama set during the Reagan years in America - now recognised as one of the greatest plays of the twentieth century. Perestroika picks up the stories of Prior and Cohn from Part One: Millennium Approaches. Prior, overwhelmed by the responsibilties of 'prophet' placed on him by the angels, wishes that they would leave him alone. Cohn, now dying from the virus, continues to manipulate the system from his hospital bed. But who is left to look after them now? And does anyone still care? With a climax as bittersweet as it is beautiful, we are left wondering who the real angels are in a disparate world. Perestroika was premiered in November 1992 in a production by the Mark Taper Forum, Los Angeles, directed by Oskar Eustis and Tony Taccone. In November 1993 it received its London debut in a National Theatre production on the Cottesloe stage, in repertory with a revival of Millennium Approaches, again directed by Declan Donnellan. Perestroika won the 1994 Tony Award for Best Play.

Philosemitism, Antisemitism and 'the Jews' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as 'aliens'; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and 'the Jews' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.

We Europeans is the first book-length study of the original mass observation project. It is also the first detailed historical study of the formation of ordinary people's 'racial' attitudes in Britain. Drawing upon historical, literary, cultural and anthropological approaches, this book examines the sources of cultural identity in Britain in the twentieth century, and how these were shaped through the influences of family, education, and everyday 'high' and 'low' culture. The examination focuses on the archives of the British social-anthropological organization Mass-Observation, and is the first detailed history of it to be published. Founded in the 1930s by poets, psychoanalysts, surrealists, and sociologists, among others, the purpose of the organization was to create an anthropology of the British people by the 'natives' themselves, through the use of diaries, directives and special surveys. The organization was active from 1937 to 1951, then revived in the 1980s, when a new group of Mass-Observers were recruited to keep diaries and respond to directives. Both the historical archive of Mass-Observation and the more recent material provide fascinating insight into the everyday lives and formation of identities of ordinary people in Britain. Kushner places the material from these archives in the context of other contemporary writings; through them he explores grassroots identities in Britain in relation to the outside world, especially Europe but also the former Empire and the USA. This study will be of interest to scholars of sociology, cultural studies, literary studies and history who are particularly interested in 'race', race relations, immigration and cultural difference.

Philosemitism, Antisemitism and 'the Jews' both honours and carries on the work of The Rev. Dr. James Parkes (1896-1981), a pioneer in the many different fields involving the study of Jewish/non-Jewish relations. The collection is designed to examine both the specific and broader themes of Parkes' life work in relation to tolerance and intolerance. From antiquity to today, Jews have often been defined as 'aliens'; these essays consider the effects of such legislative and socio-cultural exclusion on the self-definition of the dominant society. Philosemitism, Antisemitism and 'the Jews' employs an interdisciplinary framework, bringing together the work of scholars from both sides of the Atlantic and Israel, who work in history, theology, political philosophy, legal theory and literary studies. Eminent historians and theorists of tolerance and intolerance, including Gavin Langmuir, David Theo Goldberg, Norman Solomon and Tony Kushner, are joined by younger scholars researching new developments in the field.

These essays reveal the role of British intelligence in the roundups of European refugees and expose the subversion of democratic safeguards. They examine the oppression of internment in general and its specific effect on women, as well as the artistic and cultural achievements of internees.

These essays reveal the role of British intelligence in the roundups of European refugees and expose the subversion of democratic safeguards. They examine the oppression of internment in general and its specific effect on women, as well as the artistic and cultural achievements of internees.

Immigration to Britain has rarely achieved the levels experienced by the US, but it is nevertheless true of all periods that immigrants, refugees and soujourners have been continually present'. While we may have the beginnings of a history of immigration, ethnicity and race in Britain, there is a lack of historiographical awareness in the subject. The essays in this collection, ranging from specific case studies to broad themes, are an attempt to provide a basis for future discussion.

This book explores Jewish refugee movements before, during and after the Holocaust and to place them in a longer history of forced migration from the 1880s to the present. It does not deny that there were particular issues facing the Jews escaping from Nazism, but in this enlightening study the author emphasises that there are longer term trends which shed light on responses to and the experiences of these refugees and other forced migrants. Focusing on women, children, and 'illegal' boat migrants, the author considers not only British spheres of influence, but also Europe, the Middle East, the Americas, South Asia, Australasia. The approach adopted is historical but incorporates insights from many different disciplines including geography, anthropology, cultural and literary studies and politics. State as well as popular responses are integrated and the voices of the refugees themselves are highlighted throughout. Films, novels, museums and memorials are used alongside more traditional sources, allowing exploration of history and memory. And whilst the importance of comparison underpins this book, it also provides a detailed history of many neglected refugee movements or aspects within them such as gender and childhood. Written in a lively and committed style, the book is accessible to both a general as well as a specialist audience, and will be of interest to those interested in the Holocaust, migration and generally in the growing crisis of ordinary people forced to move.

We Europeans is the first book-length study of the original mass observation project. It is also the first detailed historical study of the formation of ordinary people's 'racial' attitudes in Britain. Drawing upon historical, literary, cultural and anthropological approaches, this book examines the sources of cultural identity in Britain in the twentieth century, and how these were shaped through the influences of family, education, and everyday 'high' and 'low' culture. The examination focuses on the archives of the British social-anthropological organization Mass-Observation, and is the first detailed history of it to be published. Founded in the 1930s by poets, psychoanalysts, surrealists, and sociologists, among others, the purpose of the organization was to create an anthropology of the British people by the 'natives' themselves, through the use of diaries, directives and special surveys. The organization was active from 1937 to 1951, then revived in the 1980s, when a new group of Mass-Observers were recruited to keep diaries and respond to directives. Both the historical archive of Mass-Observation and the more recent material provide fascinating insight into the everyday lives and formation of identities of ordinary people in Britain. Kushner places the material from these archives in the context of other contemporary writings; through them he explores grassroots identities in Britain in relation to the outside world, especially Europe but also the former Empire and the USA. This study will be of interest to scholars of sociology, cultural studies, literary studies and history who are particularly interested in 'race', race relations, immigration and cultural difference.

Britain has largely been in denial of its migrant past - it is often suggested that the arrivals after 1945 represent a new phenomenon and not the continuation of a much longer and deeper trend. There is also an assumption that Britain is a tolerant country towards minorities that distinguishes itself from the rest of Europe and beyond. The historian who was the first and most important to challenge this dominant view is Colin Holmes, who, from the early 1970s onwards, provided a framework for a different interpretation based on extensive research. This challenge came not only through his own work but also that of a 'new school' of students who studied under him and the creation of the journal Immigrants and Minorities in 1982. This volume not only celebrates this remarkable achievement, but also explores the state of migrant historiography (including responses to migrants) in the twenty-first century.

A smouldering political allegory about a political protest in a country ruled by a military junta. From the author of Death and the Maiden, written in collaboration with Tony Kushner, author of Angels in America. In a war-torn village the men have disappeared. The women - their mothers, wives, daughters - wait by the river, hope and mourn. Their anguish is unspoken until bruised and broken bodies begin being washed up on the banks and the women defy the military in the only form of protest left to them. Ariel Dorfman's play Widows is based on his 1983 novel of the same name. The play was first presented by the Traverse Theatre Company at the Cambridge Arts Theatre in March 1997. (An earlier version of the play was first performed at the Mark Taper Forum in Los Angeles in July 1991).

Tony Kushner: "This is an odd assemblage of plays, for which gathering-together there is no overarching thematic justification. Because several of the plays deal with death, and one of the death-plays deals as well with money, and the last play deals with taxation, we're calling the book "Death & Taxes." But all plays, directly or indirectly, are about death and taxes, so this title explains little..."

What is clear, is that all of the plays in this new collection by Kushner are poetic masterpieces. An exploration in form and style, from comedy to farce to what can easily be called hip-hop theatre, Kushner makes each style his own, writing with the mind of a great social reformer and the heart of a poet. This collection is proof that his masterwork, "Angels in America" was just the beginning.

Includes:
"Reverse Transcription: Six Playwrights Bury a Seventh
Hydriotaphia or The Death of Doctor Browne
G. David Schine in Hell
Notes on Akiba
Terminating or Sonnet LXXV
East Coast Ode to Howard Jarvis"